Songs of Innocence

Genuine crossover, where genres are placed in a productive alliance that serves primarily artistic concerns, is rare. In Hannes Loeschel’s setting of William Blake’s visionary-pastoral Songs of Innocence we have genuine crossover, in this case between Improv, rock, Noise, and English folk. The result twists and turns along with the imagery and fluent contours of the texts. Phil Minton, known primarily for his improvisational abilities and for his Feral Choir project, does a stunning job of inhabiting these settings with a gruff, grainy vocal persona that has much to say. Exit Eden, yet more musicians accustomed to Improv, fill out the musical textures with various reminiscence of Earth, Bohren und der club of gore, Bellowhead, Wyatt, Radiohead, and many others. My full review is here at Musical Criticism.


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